Wednesday, October 27, 2010

"Been to the desert..."




In this case a camel with no name.

Apparently they don't give them names, though once Kate rode a camel in the US named Rosalie, which coincidentally is my mother's name. I'm not sure that "America" (the band) had it right. Can't see how a horse would have survive.

We barely did for the six or so hours we were plodding from dune to dune with a brief layover at an oasis where a man in a fez showed up with cold Cokes. It was hot and my camel wasn't nice. Well, I guess I can't blame him.

The town where we stayed was once a French foreign legion outpost and really this was no joke. We could see Algeria. I kept thinking that if something happened to our guide, Mohammed, we would survive.

Though our camels had very very big flat feet. They look as if they are designed to make a lunar landing, which I think in a sense they are. While I can't say I like the creature, I have developed a respect for them.

That night we were exhausted. I am still having difficulty crossing my legs.

Morocco - A Human Face


Over the next several weeks I will be posting images and text about our trip. I found myself especially moved by the Moroccan people who were overall extremely generous and kind. This man works in the tannery. They have been making leather in this way for the past 1100 years. He stands in a dye pit all day, stomping on hides.
More images of the tannery, and the rest of Morocco, to come soon.

Tuesday, October 12, 2010

From Thurber to Berber


Domesticity's getting me down. I feel burdened by the tasks. Maybe it's the hound dog we adopted two weeks ago. As I'm taking shoes out of his mouth or watching him bury bones in my garden, I keep hearing Elvis in my head. Meanwhile at the same I'm packing to go to North Africa, into the desert, as far as I can.

There's a disconnect here. How can I be feeding pig ears to Thurber (named after James Thurber who loved hounds)and reading the map of the Fez medina at the same time? But it seems that I can. I recall how Indiana Jones could teach his classes in archaeology, then take off his glasses, put on a pair of chaps and go chasing the lost Ark.

I can identify. My students don't really know this side of me. As they head to the library or Connecticut for their few days off, I'm going for a camel ride in the Sahara. Once a student of mine went to visit his brother in Hawaii. The brother happened to have a magazine lying around that had a picture of me, dressed in black, riding a white horse through the chaparelle. Apparently the student turned to his brother and said, "I think this is my professor."

I'm not going to lie. I am ready for a change. I need to get away. I've just sprayed bitter green apple into Thurber's mouth so he stops eating my chair. Upstairs I've got my camera charging, my paints and brushes packed, my journal (the beautiful journal my writers and wanderers made for me this spring) ready to go.

I am filled with excitement. Anticipation. And yet I don't want to be cut loose. I don't want to be one of those balloons that floats away into the sky. The truth is I want to be tied to someone's stroller.

I recall speaking to a friend the other day about this. I told her that I'm not interested in just wandering. I don't want to be a nomad with no address. For me it's the tension between here and there, home and away, that makes all of this interesting. And by this I mean life.

Sunday, October 3, 2010

Lost in the Desert with a Pen and a Hat



A recent news story captured my eye. A couple of weeks ago a man was found who'd been lost in the desert for six days. He had no food and water with him and little shade though temperatures had soared close to a hundred degree. Yet beyond being dehydrated and sunburned he was fine. He attributed his survival to the fact that he had a pen with him. And a hat.

The hat did not help him because it provided shade. Rather the man, who had no paper, wrote on it. He wrote notes to his wife and loved ones, advice, instructions, declarations of love and friendship. When he began to run out of space, he devised a code so he could shorten his messages. But still he kept writing. He told his rescuers that if he hadn't been able to write, he would not have survived.

Many writers have attested to the same thing. The poet, Irina Ratushinskaya, survived a Soviet prison but writing her poems on bars of soap, memorizing them, and then taking a shower. She left the prison with dozens of poems, all inside of her.

On a less dramatic note Paul Auster writes in his wonderful essay "Why Write?" about meeting the great Willie Mays and not having a pen with him for an autograph. After that, Auster says he kept a pen in his pocket wherever he goes.

I have often found myself, on the subway or a plane, desperately digging in my bag for a pen. It seems I can survive any long flight or travel delay if I have paper and pen. (I have never tried my hat, but I'm sure if necessity dictated, i would.) If I was lost on a journey, imprisoned, if I was in a situation for which there is no obvious escape, I would survive if I could write about it. Perhaps this is why I write compulsively when wandering. It is how I hold the universe together. In essence it is how I survive.

So the message about the man lost with only his pen and his hat really hit home. It is an allegory of sorts. To wander is to write and to write is to wander. And when we are lost in a desert of our own making, this is especially true.

Thursday, September 30, 2010

A Distant Episode: Thoughts before Heading to Morocco



In two weeks we're heading to Morocco, and I am incredibly excited. For the past three years I've been trying to get to Morocco, but it has been eluding me.

The first time, in 2007, during my sabbatical, I had a trip planned with my daughter, Kate, and Larry. But I broke my leg and spent weeks on my couch, calling every riad and ferry company and hotel, slowly deconstructing the voyage I had been dreaming of.

Two years later Larry and I were going to sail from Tarifa to Tangier, just for a day or so, so I could, quite literally stick my foot in North Africa, but the day before we were to go, we lost our money "bolsa" with all our ids, except our passports inside. So the day we were to go to Tangier, we were cancelling our credit cards instead.

But this time, finally we are going...and I can't wait. I'm not sure exactly where our travels will take us. For the first time in many years we are traveling without plans, without reservations, except the day we arrive and depart. Almost, but not quite, without maps. I've been thinking about spending a day, if time allows, in the Atlas Mountains.

With this in mind I've been reading Bowles, in particular his short stories. Last night I reread the harrowing, "A Distant Episode." Indeed I'd have to say it's one of the most terrifying stories I've ever read, not merely because a man is captured, tortured and turned into the plaything of a desert tribe, but because it seems as if the man wants to be captured.

I've taught this story in my writer/wanderer class as a kind of anti-journey. The bad trip you never want to be on. But still something compells me to read this story over and over. Just as something compells me to want to go farther and farther, pushing myself beyond where I know safety is.

Again I recall what I wrote a couple weeks ago about God's curse on Cain - You will be a restless wanderer. I don't think I'm guilty of fratricide though my brother might disagree. But still something restless lives inside all of us who wish to keep moving. This is why breaking my leg was one of the worst things that's ever happened to me. Because I had to stop.

Still what is the point of the journey? Is it to have creature comforts we can't replicate at home? Or is it to push ourselves past a limit, past our comfort zone. Into a world that is different and far from the one we know?

I don't have an answer. Probably it's a combination of both. All I can say is that last spring, as I saw the lights of North Africa flickering from Cadiz, it was like being beckoned. And when we feel beckoned, as the prophets knew, even if we don't want to, we must answer that call.

Thursday, September 23, 2010


‎"Develop an interest in life as you see it; the people, things, literature, music--the world is so rich, simply throbbing with rich treasures, beautiful souls and interesting people. Forget yourself." ~ from Henry Miller - one of my favorite wanderers.

Monday, September 20, 2010

You will be a restless wanderer...



Recently for various reasons I've been reading Genesis. In particular the story of Cain and Abel. We all know this, of course. Cain, the jealous brother, kills Abel. This is really the first crime in the Bible (unless you consider eating from the tree of knowledge a crime). In the Biblical narrative God curses Cain by placing his mark on his forehead and Cain pleads with God that he will be killed if men see his mark. But God assures him that this will not be the case. God's curse is a lifetime of banishment. "You will be a restless wanderer," God says to Cain, thus completing Cain's punishment for the slaying of his brother.

This final phrase of God's curse gave me pause. To me being a restless wanderer has always been a kind of blessing, something I embraced in others and in myself. I have never really tried to understand or analyze the roots of this wanderlust. I've always felt closer to Gulliver (who must escape his Master Bates - joke intended by Swift I am sure on p. 1 of GULLIVER'S TRAVELS - and hence sets off on a journey) and Ismael who takes to sea when he feels a sense of malaise coming over him in MOBY DICK. I've always admired the need to get away.

Yet God curses Cain in this way. Thinking about this it occurred to me that the thing about being a wanderer is that there always exists the possibility of return. THE ODYSSEY wouldn't be much of a story if Ulysses wasn't looking for home. Goethe wrote somewhere that being an artist is like being homesick. The artist is always searching for home.

My mind remains somewhat muddled around all of this. But I think the difference between Cain and me (outside of the fact that I haven't killed my brother yet) is that I can return. I recall again those sea turtles eggs in the Gulf Coast. How they were moved to the Atlantic side, packed in their own sand. It is hoped that twenty years from now they will recall the scent of home and return to the beaches where they were spawned.

I have always embraced the restless wanderer in me. And, at the same time, I have always know that I can go home. That, in fact, it awaits me. And this is what God denies Cain. What is the journey if we cannot return? It becomes exile, not a journey at all.